stochastictrebuchet

Such a beautiful game but I couldn’t stand being on edge the whole time. I’m stressed enough as it is.

Playing on the Nintendo Switch was an interesting experience, with a rendering distance so short that by the time anything dangerous pops into view it’s already too late.

I visited that island way too early in the game

This is excellent. Thank you! I genuinely didn’t get it until reading your reply. In fact, I was thinking of posting a meme along the lines of ‘I don’t understand how the microblog feature works and at this point I’m too afraid to ask’. No need anymore.

Now all I DO need is a way to save/bookmark posts for future reference.

Just my two cents: I prefer the way it is. The Hacker News way always trips me up, especially when switching from Apollo – where post titles link to the post. I realize how bad this is going to sound, but the OP and the comments are what I’m here for. I judge whether the linked content is worth visiting based on the comments, so that’s where I prefer to start.

Nicolas Jaar’s Space Is Only Noise and Olafur Arnalds’ For Now I Am Winter (slightly more neo-classical/acoustic) are two I regularly revisit precisely for how cohesively the tracks fit together. Oh, and anything by Floating Points.

Mind, none of these use 100% electronic/synthesized sounds, so I don’t know if they count.

Taking a page out of OpenAI’s book, I see