I’m clearly out of touch with the world. Over half of these got an audible groan out of me when I watched the trailers.

I wonder what the ratio is between men who want to become filmmakers and women who want to become filmmakers, and if it’s actually 50/50.

Audiences want good movies, and often don’t care who writes or directs them. It’d be a mistake to say the reason for the low percentage “is because sexism” on such a multifaceted situation. A quick web search says only about 15% of all filmmakers are women, so this statistic sounds about right. Either not enough women are interested, or not enough get the opportunity.

Crazy thing is, Wukong plays like a giant boss rush. Yet I adore it because the difficulty is so incredibly honed in and boss attacks are so well projected. Sounds like Sekiro didn’t refine their difficulty quite well enough.

I love the game, but did admittedly struggle for one reason: regular enemies are pretty easy, then you’ll be hit with a boss that stonewalls you. There’s no build up in difficulty. Enemies = trivial. Bosses = ludicrous. Additionally bosses are often a battle of attrition, and I don’t have the sanity to last several minutes engaged in the same attack pattern.