Maybe the show that you could make the most references to while watching other anime? So JoJo’s.

It was my first thought. I feel old.

Do you realize how insane our politics are for people to think of supporting a genocide as just one thing on a list of policies?

The fact that people couldn’t tell the difference between a human and an AI made isekai is hilarious. This genre is just a sea of slop.

I wouldn’t describe myself as a tankie, but I do think I am more sympathetic towards the various communist projects that have been tried in one way or another. The difficulty talking about this is that there is all sorts of misinformation, so it can be hard to have a complete, coherent discussion on these issues. (and of course I know it can be coming from both sides, so it really makes things confusing) What’s more important to me though are the interpretations people have of these issues and how that informs their politics in the context of the real world that we live in.

What do I mean by this? While of course it’s important to critique past and current governments, it should be so that we can learn from their mistakes and do better in the future. I don’t really want to be defending some atrocity or failure of a state. I want to have an honest and productive talk about it. But in the context of living in the west, and especially the US, the propaganda line is to treat these governments as a complete and unique evil in order to justify both imperialism abroad and suppression of the left at home. They make it sound like their actions are just a continuation of our role in WWII fighting against fascism for freedom and democracy. But clearly that’s not the case. The US does absolutely awful shit all around the world and is buddy buddy with various oppressive/undemocratic governments. And this isn’t whataboutism. I’m not saying “well we did awful shit so it’s ok when they do it too.” What I’m saying is that by overly focusing your ire on these left wing governments, you reinforce the idea that the US is the good guy for fighting against them, that even if you have problems with the US, the other guys are way worse and it’s worth supporting US military interventions because of that. With that mentality, the military budget keeps growing, we keep bombing people who didn’t deserve it, we continue to justify our own authoritarian measures as being necessary for fighting against these existential threats. etc.

I’m sure for most on the left, especially anarchists, who participate in this, that isn’t their intention. They just want a better, fairer world and want to recognize injustice regardless of who does it. But the effect is still unfortunately to feed into the more right wing position on this. You’re working in an environment where the average uninformed person you talk to will at best not care about any atrocities the US has committed and at worst will view you as a crazy conspiracy theorist for telling them about publicly available information. Meanwhile they’ll gladly join in on getting angry about anything you say about a place they’ve been told is evil, even if it is a conspiracy theory. You have to consider that when you decide what to spend your limited time and political capital on.

That said, I don’t really know what to do with all that. I don’t think it’s right to go out of your way to lie about or defend actual atrocities, but how do you manage to do that without contributing to the oversimplified narrative of these places being cartoon villains? How do you get people to not fall for the manufactured consent for war time and time again while still acknowledging the things people treat like original sins that can never be atoned for?

I happened to read this recently. It’s mostly slice of life with a little “what weird things can my body do now that I’m part dragon?” I wouldn’t say there’s any action from what I’ve seen.

It’s kind of funny though, I don’t read much manga, but this is the second time in a row where I happened to read something only to find out Kyoani was going to adapt it not long after. Last one was CITY.

I don’t know what to expect with this. Probability of it turning out good feels low. It looks like it’s just gonna be a lot of action. I didn’t get much personality from the trailer. I’d hope they add in the weird stuff. Although I guess Sekiro had less of that than Souls or Elden Ring.

It’s impressive how much the show can mix up its art style and level of detail. Lower res for the anime bits. Super high detail/realistic lighting for the camera bits, etc.

It’s been interesting getting to see more of Marin’s life/friend group and how they look in on their relationship. There’s that contrast between Gojo’s fears of how people judge his interests with how relatively reasonable everyone has been. It feels like that girl from his childhood was the anomaly, although it could also be that it was more common and most people just grew out of it after a certain point. That was kind of my school experience. By sometime in late high school the people who used to be bullies just kind of stopped. We didn’t suddenly become friends, but they didn’t go out of their way to cause problems for me either.

It makes me wonder if that girl is going to show up again for some character arc that reckons with their past or if that’s just not something the show wants to tackle now that it’s settled into a groove.

At this rate Gojo is going to be the last person to know that they’re dating. :P

Some of my favorite shows of the last few seasons have been unexpected. Off the top of my head right now the two I’m thinking of are Apocalypse Hotel and Snack Basue. I’ll maybe add some more later when I have time to look at my list to remind me.

First I can think of is the end of K-On! I watched the show for the first time in my senior year of college, so that feeling of having to go away from the friends I had made in my time there was pretty significant.

Some random others off the top of my head:

Frieren for kind of the same reason.

Violet Evergarden, especially the episode about the mom writing to her daughter.

Grave of the Fireflies.

Probably some others I’m forgetting.

The problem is that most of our problems aren’t really science problems. Or at least the thing holding them up isn’t the lack of practical applied scientists. They’re political ones. We’ve known what we needed to do about climate change for decades but their are capitalists who stand to lose from doing anything about it, so we don’t. We have plenty of housing, it’s just being hoarded by people who do nothing with it but extract free money from people who are desperate to have a place to live. We have amazing medicine, but corporations are able to abuse IP laws to price gouge people who need it to live.

A scientist or engineer could come up with some amazing sci-fi tech that has the potential to save us and capitalists would find some way to make it bleed us dry.

Idk, sounds to me like it did a good job mimicking humans. :P

I’m so glad this show is back. It just makes me so happy to watch.

Also Japanese question: What was the word confusion that made craft store guy misunderstand what Gojo meant? It wasn’t clear from the subtitles.

I guess it was like this before, but it’s only something I really thought about now: It’s nice that the fake anime looked lower fidelity than the real one. I have a running joke with friends whenever we see an anime in an anime and ask whether the anime is photorealistic in their world. But here the thing one level down from their reality looks less real than their normal animation, so it kinda works out. All I’m saying is I want to see an anime where their world’s anime is in 1D just for the gag. The audience never actually gets to see it properly and the characters talk about it like it’s completely normal to them.

Having seen way too many rom coms… I give it a zero parcento chance of that going anywhere other than just getting interrupted or awkwardly shrugged off.

Nice ending to the season. I figured the kids were coming back to life. I don’t know if that was meant to be a twist with just how telegraphed it was over the last 2 episodes. I was both surprised and not surprised by Shi Sui being alive. I thought she didn’t seem like she was planning to die and had some kind of plan, but then she got shot… a lot. I don’t know how she survived that. Did she have ye olde bullet proof vest and blood squibs?

Jinshi still can’t take a hint. That whole relationship feels like one of those things that would be creepy if they weren’t playing it off as cutesy/comedic.

I’m looking forward to S3. From the teaser trailer I’m hopeful that we’re going to get some kind of status quo shift/reset so we can get back to the more Mao Mao focused stories. But we’ll see.

Yeah as much as I love the show, the political intrigue has mostly just confused/bored me. I just want more bits with Mao Mao being Mao Mao. I don’t know the source material, but the S3 teaser makes me think we’re going to get away from all of that since it says they’re going to a distant land. Seems like a reset.

Maybe. But you’d need servers. And that would cost a lot of money for something aiming to be that scale.

My (completely uninformed) theory: It’s competitive advantage. Indies succeed on their creativity, but that works because there are thousands of indie devs out there and we get to see the best (and luckiest) ones. It’s not easy to replicate that creativity by just throwing more money at the problem. So what is a company with ooodles of money but no creativity to do? Make games that only a company with way too much money could make. No indie dev is going to make the next Far Cry or Assassin’s Creed or Fortnite because they just don’t have the budget to make that happen. So they know that even if they keep churning out generic crap, at least it’s generic crap with very little real competition.

Of course then all of them got the bright idea to compete in a game business model that is inherently winner take all with already well established leaders. So yeah now it just seems like they’re lighting money on fire for fun.